Caitlin has been hailed for her “touching” (Welt.de) and “no holds barred” (Qonstage) performances in a wide spectrum of repertoire, covering Purcell, Mozart, Massenet, Tchaikovsky, and more. Since her studies at The Juilliard School, she has been a sought after performer for both traditional works and modern music on American and European stages. She also has a passion for performing new works, collaborating with composers, and creating her own interdisciplinary performances with fellow like-minded singers, dancers, acrobats, and actors.

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Initially trained as a classical artist, Caitlin has spent the last 5 years focused on experimental music and contemporary performance. Her contemporary repertoire spans a wide range of styles and includes works such as Gubaidulina's Perception Cantata, George Crumb's River of Life Songbook, Xavier Pàges-Corella's song cycle 'The Northwest Passage' (world premiere with Estudio Rosazul in 2024), Jeffrey Ching's Die wahre Geschichte von King Kong  (world premiere with Theater Magdeburg in 2019), Jakob Druckman's Animus II, and Jakob Ullmann's Voice, Books, and FIRE series, as well as collaborations with various contemporary music groups such as the New Juilliard Ensemble (USA), Phoenix16 (Berlin), and vocal improvisation with actress Anna Deaveare Smith at NYU. Her most notable concerts include performances at Carnegie Hall, Nuremberg Serenadenhof with the Nuremberg Symphony Orchestra, Palau de la Música Catalana (Barcelona) and Alice Tully Hall (Lincoln Center, NY), as well as Smetana Hall (Prague), Megaron Mousikis (Athens) and the Berliner Festspielhaus. She continues her improvisational work with the development of The Body Electric, a movement and musical performance series directly focused on contemporary social issues. This project will be developed in partnership with Centre Civíc Can Clariana (Barcelona, ES) as part of their 2025 Refugi Escenic residency program.


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​On the opera stage she has interpreted the title roles in Carmen, Tosca and La Cenerentola, as well as Charlotte (Werther), Mimi (La Bohème),  Orfeo (Orfeo ed Euridice), Dorabella (Così fan tutte), Rosina (Il barbiere di Siviglia), and Komponist (Ariadne auf Naxos), among others. As a recitalist she makes up half of the voice and piano duo 'Caitlin&Joan' with her husband, pianist and double bassist Joan Cantallops. 

​Caitlin is a member of the physically disabled community (with Erb's palsy of the right arm and shoulder) and is passionate about disability advocacy and representation, particularly in the world of performing arts. She especially enjoys working and creating with other physically disabled artists, exploring narratives and spaces from which disabled artists are typically excluded.
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​Also an acrobatic singer, her first trapeze dance productions began with Australian composer Chloé Charody in 2021. This included 2 new circus operas shot in Berlin (Homeplay) and the subsequent premiere of a new work (JINGAH!) in Nottingham, UK. Caitlin made her Australian debut in February 2024 touring Charody's newest work for acrobatic soprano (Truth in the Cage), a song cycle based on the poetry collection of the same title by Manus Prison survivor Mohammad Ali Maleki. This premiere was nominated for 2024 'Performance of the Year' by the Australian Music Centre Awards. Her recent role debut of Orfeo (Gluck's Orfeo ed Euridice) in Palau de la Música (Barcelona, ES) included several self-choreographed acrobatic sequences featuring dancers from the National Ballet of Cuba and Barcelona’s Institute of Dance and Theatre and she has also joined the Berlin-based acrobatic collective A Movement of Humans in their 2024 touring show 'Now DEPARTING'. Currently in creation is an improvisational piece for singer on hoop with double bass, as well as ​Idiom (a new acrobatic opera) with A Movement of Humans, set to premiere in 2025/2026.​



​Caitlin was a resident young artist at the Internationale Meistersinger Akademie with Edith Wiens and Tobias Truniger, Opera Theatre of Saint Louis, Crested Butte Opera Festival, and the Castleton Festival with the late Maestro Lorin Maazel.



​​She holds a graduate degree (M.Mus) from The Juilliard School where she was a recipient of the prestigious Novick Grant, and bachelors degrees from the University of Maryland in voice and Italian Literature. Caitlin speaks English, German, Italian, Spanish, Catalan, and French and currently splits her time between Barcelona and Berlin.